The MIT Press
Looking Awry | Slavoj Zizek
Looking Awry | Slavoj Zizek
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Slavoj Žižek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Žižek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.
Žižek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Žižek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Žižek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
About the Author
Slavoj Žižek born 21 March 1949) is a Slovenian neo-Marxist philosopher, cultural theorist and public intellectual. Žižek is the international director of the Birkbeck Institute for the Humanities at the University of London, Global Distinguished Professor of German at New York University, professor of philosophy and psychoanalysis at the European Graduate School and senior researcher at the Institute for Sociology and Philosophy at the University of Ljubljana. He primarily works on continental philosophy (particularly Hegelianism, psychoanalysis and Marxism) and political theory, as well as film criticism and theology.
Žižek is the most famous associate of the Ljubljana School of Psychoanalysis, a group of Slovenian academics working on German idealism, Lacanian psychoanalysis, ideology critique, and media criticism. His breakthrough work was 1989's The Sublime Object of Ideology, his first book in English, which was decisive in the introduction of the Ljubljana School's thought to English-speaking audiences. He has written over 50 books in multiple languages and speaks Slovene, Serbo-Croatian, English, German, and French. The idiosyncratic style of his public appearances, frequent magazine op-eds, and academic works, characterised by the use of obscene jokes and pop cultural examples, as well as politically incorrect provocations, have gained him fame, controversy and criticism both in and outside academia.
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